"Cast your net wide. Speculate recklessly. Speak to the wide-eyed. Sink your ship. Build it anew. Burn your agreements. Watch the ashes rise."

Things already exist

Sculpture already exists

The job is to transform what exists in the outer world

by uniting it with the world of

sensation, imagination and faith.

Action can be confused with life.

Much of human life is hidden.

Sculpture, in stillness, can transmit what may not be seen.

My work is to make bodies into vessels

that both contain and occupy space.

Space exists outside the door and inside the head.

My work is to make human space in space.

Each work is a place between form and formlessness,

a time between origin and becoming.

A house is the form of vulnerability,

darkness is revealed by light.

My work is to make a place, free from knowledge,

free from history, free from nationality to be experienced freely.

In art there is no progress, only art.

Art is always for the future.

Published in Antony Gormley: Five Works, Serpentine Gallery, London: Arts Council of Great Britain, London, 1987 (source)

"Practically speaking cinema is: putting images together in various musical measures. Editing is the music of cinema, as music is the architecture of time. Editing gives film its form, notation, counterpoint, development, pace, syncopation and style. Such an alchemy should be spared the censorious term of Editing. The art is that of Composing. To edit film is to compose eye music. When you edit do you know what key you are in, what your signature is, what your measures are?"

"There are no separate systems. The world is a continuum. Where to draw a boundary around a system depends on the purpose of the discussion—the questions we want to ask."